Art, Tech, and Gentrification in San Francisco

The panel at ArtUp and ArtPractical’s “Re-engineering: Arts and Tech in the Bay Area” (photograph by Joshua Kim

SAN FRANCISCO — As fleets of shuttle buses take employees to their respective Silicon Valley campuses, resentment and tension grows in the Bay Area. Last week, protesters blocked one such Google bus in an effort to draw attention to the widening gap between the technology industry and the communities it affects; a union organizer impersonated a tech worker to incite dialogue through performative gesture. Within days, further demonization of tech figures, like the entrepreneur Greg Gopman — guilty of making crassly disparaging remarks about the Tenderloin area of San Francisco — continued to fuel divisions across the city.

In an effort to broaden and expand the conversation, ArtUp, a “community blog, meetup and monthly grant,” partnered with online magazine Art Practical to host the “Re-engineering: Arts and Tech in the Bay Area” event at Ratio 3 gallery in the city’s Mission district on December 11. The night started off with a panel discussion between Anthony Discenza, Josette Melchor of Gray Area Foundation for the Arts (GAFFTA), Olof Mathe of Art Hack Day, and Dena Beard with the UC Berkeley Art Museum and Pacific Film Archive. [Read the rest here]

Author: Dorothy R. Santos

Dorothy R. Santos is a writer, editor, curator, and educator whose research areas and interests include new media and digital art, activism, artificial intelligence, networked culture, and biotechnology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco, and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. She is currently the managing editor for Hyphen magazine. Her work appears in art21, Art Practical, Daily Serving, Rhizome, Hyperallergic, and Public Art Dialogue. She has lectured and spoken at the De Young museum, Yerba Buena Center for the Arts, Stanford University, School of Visual Arts, and more. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” has been published to The Routledge Companion to Biology in Art and Architecture in 2016. She serves as executive staff for the Bay Area Society for Art & Activism, board member for the SOMArts Cultural Center, and teaches at the University of California, Santa Cruz in the Digital Art and New Media department.

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