Takashi Murakami’s film, Jellyfish Eyes, to be released later this year

This post is long overdue. Months ago, I was reading through various art blogs and websites looking for interesting developments in the art world. One of my resources for art news is ArtInfo, having learned about Takashi Murakami’s current work, I saved a draft post and ONLY now just getting back to it (I originally wrote this back in late January of this year!). I still can’t believe it’s half way through April! What the heck? In any case, he is working on a Godzilla-like movie titled Jellyfish Eyes scheduled for release later on this year. Now, if you’re not too familiar with Murakami’s work, he is the artist responsible for Kanye West’s Graduation album cover.

Kanye West’s Graduation album cover ~ Image Source: takashimurakami.net

Many Louis Vuitton fans may also remember a line of bags, accessories, and even a New York 5th Avenue store covered in Murakami’s work.

Louis Vuitton 5th New York Store ~ Image Source: Hype Beast

Last year, I read Seven Days in the Art World by Sarah Thornton. Each chapter looks at an important day in the art world (e.g., The Auction, The Crit, etc.). For The Studio Visit, Thornton met with Murakami and some of his staff. One thing that intrigues me is the collaborative effort it takes to manufacture the grandiose pieces. I try to take notice of what makes a particular artist successful and one of the common threads I see (especially across new media artists) is the ability to work with a cross-section of people. Now, I’m not the biggest fan of Murakami’s work but it’s difficult to deny his creative process and prolific production. His work is certainly reflective of human consumption and excess. From album covers (i.e., Kanye West) to the Palace of Versailles, his work is probably the most visually consumed. Reminiscent of Andy Warhol’s art factory, Murakami is an astute artist and business person. It only makes sense that he come out with a movie, right? Right! Quite honestly, I’m really intrigued and will be on the look out later this year.

Takashi Murakami Talks about his Upcoming Monster Movie from Tom Chen on Vimeo.

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Author: Dorothy R. Santos

Dorothy R. Santos is a writer, editor, curator, and educator whose research areas and interests include new media and digital art, activism, artificial intelligence, networked culture, and biotechnology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco, and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. She is currently the managing editor for Hyphen magazine. Her work appears in art21, Art Practical, Daily Serving, Rhizome, Hyperallergic, and Public Art Dialogue. She has lectured and spoken at the De Young museum, Yerba Buena Center for the Arts, Stanford University, School of Visual Arts, and more. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” has been published to The Routledge Companion to Biology in Art and Architecture in 2016. She serves as executive staff for the Bay Area Society for Art & Activism, board member for the SOMArts Cultural Center, and teaches at the University of California, Santa Cruz in the Digital Art and New Media department.

2 thoughts on “Takashi Murakami’s film, Jellyfish Eyes, to be released later this year”

  1. Takashi Murakami’s work is charmingly bodacious and spellbinding.

    I’d like to quote Leslie Nielsen from Mr. Magoo, as he admires another’s innovation: “Leave it to the Japanese, they think of everything.”

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