Keeping an Eye on Surveillance

Isn’t it funny walking into an elevator and everyone takes out their mobile phone and starts tinkering around with it? Pretending they have a message or playing Words with Friends. Or, even funnier, how I throw up the middle finger when someone I held the elevator door for completely blanks me and just blurts out, “3rd floor”, like I’m the mutherlovin’ elevator attendant. Hmph!!! Often times, I forget that there’s someone watching me. Imagine all of your actions captured on film, recorded, and archived. I should stop making nasty faces and throwing up my digitus medius when certain people leave the elevator but I highly doubt it. All of the times my Mom said I better watch the facial expressions I make because my face might stay that way, well, to a certain extent, she wasn’t lying. My face will stay that way (on film). Scary thought, eh?

Surveillance has been a topic I’ve covered in earlier posts but I’m bringing it up (once again) due to group exhibition opening, Keeping an Eye on Surveillance, Saturday, September 10th at the Performance Art Institute of San Francisco. The show is a provocative look at surveillance post 9/11 world through a wide array of artist perspectives. From visual to performative, the show will have you looking at your mobile device and everyday surroundings (even the restroom) with a keen and scrutinizing eye.

The Artists Showing are:

To learn more about the event, please click here.

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Author: Dorothy R. Santos

Dorothy R. Santos is a writer, editor, curator, and educator whose research areas and interests include new media and digital art, activism, artificial intelligence, networked culture, and biotechnology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco, and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. She is currently the managing editor for Hyphen magazine. Her work appears in art21, Art Practical, Daily Serving, Rhizome, Hyperallergic, and Public Art Dialogue. She has lectured and spoken at the De Young museum, Yerba Buena Center for the Arts, Stanford University, School of Visual Arts, and more. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” has been published to The Routledge Companion to Biology in Art and Architecture in 2016. She serves as executive staff for the Bay Area Society for Art & Activism, board member for the SOMArts Cultural Center, and teaches at the University of California, Santa Cruz in the Digital Art and New Media department.

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