COLLAPSE: New work by Luca Nino Antonucci @ Wire and Nail Gallery

Recently, the Hubble Ultra-Deep Field imaging system unveiled the deepest portrait of the visible universe ever achieved by humankind, that reveals the first light from 13.5 billion years ago. The exposure lasted for eleven and a half days and is the as far back as the human eye has seen to the origins of the universe.

Collapse, Antonucci’s first solo show, addresses these awe-inspiring galactic portraits in a purist vocabulary imbued by the hand of the artist. With the topic of the photographic universe at the forefront of scientific observation and contemporary art making, this body of work seeks to re-contextualize Hubble’s image through an opaque lens, so as to re-negotiate the romantic notions of the viewer and subject matter itself. As an image presenting truth, the Hubble Ultra-Deep still evokes an undeniable mysticism, sense of wonder, and romance. In this investigation, Antonucci pays homage to the beauty held within the visual landscape of the cosmos while extracting a veritas all his own.

Antonucci received his MFA from the San Francisco Art Institute in May of 2010. During 2009 he completed a residency exploring video and printmaking in Berlin. His self-made book inspired by the Hubble Ulta-Deep Field images, First Light, was published this year by Conveyor Arts. Currently Antonucci is occupying a printmaking residency at the Kala Art Institute in Berkeley and he resides in San Francisco.

~ Press release from Wire and Nail Gallery Site

To learn more about Luca Nino Antonucci and his work, please click on the exhibition image above or click here.

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Author: Dorothy R. Santos

Dorothy R. Santos (b. 1978) is a Filipina-American writer, editor, curator, and educator whose research interests include new media and digital art, activism, artificial intelligence, and biotechnology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco, and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. She serves as one of the editors-in-chief for Hyphen magazine. Her work appears in art21, Art Practical, Daily Serving, Rhizome, Hyperallergic, and SF MOMA's Open Space. She has lectured at the De Young museum, Stanford University, School of Visual Arts, and more. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture (2016). She is currently a Yerba Buena Center for the Arts fellow researching the concept of citizenship. She also serves as executive staff for the Bay Area Society for Art & Activism and board member for the SOMArts Cultural Center.

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