Catherine Clark – Gallery Profile

When it comes to art, New York has been called a hub where intellectualism and creativity meet. Although it has a smaller population, the same sentiment can be said about San Francisco. As the city known for its diversity, its no surprise that one can find a multitude of extraordinary and unique artists creating art ranging from traditional to highly experimental and conceptual. These individuals need someone capable of navigating the art world as well as having the deft business acumen to run an art establishment. This person must also orchestrate opportunity while engaging the community. Catherine Clark fits this description perfectly. After her studies in English literature and Art History from the University of Pennsylvania, the San Francisco native found herself returning to the Bay Area. In retrospect, her decision was fortuitous for the San Francisco art community as it forged a place in the city’s art scene that has, arguably, made her one of the most prestigious galleries on the West Coast, if not nationally.

Originally called Morphos, the Catherine Clark gallery has become one of the most influential galleries showcasing both national and international artists. Her gallery began in Hayes Valley in the early 1990s, subsequently moving to 49 Geary in April 1995 and moving in 2007 to 150 Minna Street, her currect space. The 2,500 square feet ground floor space with two large galleries is a neighbor to the San Francisco Museum of Modern of Art (SFMOMA). The gallery  includes a dedicated media room that is uncommon to most gallery spaces in San Francisco. In recent years, she established a pop-up exhibition space in a residential apartment in New York’s Chelsea district on West 14th Street for her East Coast clientele. It has been said that Clark injected a bit of New York onto Minna Street. Yet, she wholly believes that San Francisco has a tremendous art community and notes regionalism exists in all places. In order to defy such insularity, exposure depends upon creating and building a community that can execute on a national and global scale.Alongside utilizing technology to gain a broader audience, local art fairs allow the community become much more involved. For this reason, San Francisco is rife with potential and ready to be seen as a place for cultural exchange. Clark asserts, “We have a lot of the ingredients already in place that make for a vibrant art scene…We could use more press for the art scene that reaches a national or international audience so that our assets are not just enjoyed and understood by the locals”. To further prove this point, Clark represents a myriad of individuals, many of them local, whose work she defines as content-driven, which certainly commands attention.

Clark strives to have her artists’ work and the content of these shows move past the opening night and outside of the space itself. Her hope is for the work to reach a wide range of patrons and art lovers. Exposure beyond a city’s limits is imperative to the success of any gallery. However, the foundation that nurtures and binds her gallery relies heavily on her intuition and a profound connection to her artists and their practices. Currently, she represents 25 artists. Although each has a unique story, the process of representing an artist entails her response to the work with an invested and serious commitment to their growth and development. In conjunction with the exhibitions, the new media program compliment the overall exhibitions. Large art institutions often notice the work Clark exhibits. “I have also been encouraged by how SFMOMA has taken more of an interest in artists working in this region. The recent Shadowshop project by Stephanie Syjuco is a great example of what I am speaking of relative to that museum”, Clark affirms. Some of the most notable artists in her program include Al Farrow, Travis Somerville, Sandow Birk, Stephanie Syjuco, Packard Jennings, Carlos and Jason Sanchez (Sanchez Brothers), Jonathan Solo amongst other talented artists.

Current and Upcoming Exhibitions

June 4 – July 16
Stephanie Syjuco
Media Room: Kate Gilmore

July 23 – August 27
Imagine Ireland (Irish artists and writers; in collaboration with Culture Ireland)

September 3 – October 29
Julie Heffernan
Media Room: Nick and Sheila Pye

November 5 – December 23
Ray Beldner
Media Room: Ed Osborn

Please click here to learn more about the Catherine Clark Gallery.

Published to Asterisk SF Magazine.

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Author: Dorothy R. Santos

Dorothy R. Santos (b. 1978) is a Filipina-American writer, editor, curator, and educator whose research interests include new media and digital art, activism, artificial intelligence, and biotechnology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco, and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. She serves as one of the editors-in-chief for Hyphen magazine. Her work appears in art21, Art Practical, Daily Serving, Rhizome, Hyperallergic, and SF MOMA's Open Space. She has lectured at the De Young museum, Stanford University, School of Visual Arts, and more. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture (2016). She is currently a Yerba Buena Center for the Arts fellow researching the concept of citizenship. She also serves as executive staff for the Bay Area Society for Art & Activism and board member for the SOMArts Cultural Center.

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