Meridian Gallery, Gallery Profile published to Asterisk SF Magazine’s Throwback Issue

Meridian Gallery Profile

On a clear, breezy evening on any given opening exhibition night, glowing lights emanate into the street from Meridian Gallery, revealing an exquisite exterior as well as an equally timeless and beautiful interior on the 500 block of Powell Street. The 100-year-old Victorian building certainly perseveres through the city’s constant evolution. Architect C.A. Meussdorffer designed the structure in 1911, and it remains the only single-family home left in such a bustling and highly trafficked area of San Francisco.

Even though the original design and construction was not of a gallery, the space is not too dissimilar to a home. Although, in a different context, Meridian is a home—to artists, educators, writers and young, budding art professionals, as a place to nurture existing skills and learn new ones. Based on the function and architecture, it’s probable that Meussdorffer didn’t intend for the space to become one of San Francisco’s beacons for art and cultural awareness. Yet the staff of Meridian Gallery makes it a home for the San Francisco arts community. The gallery is an exemplary reflection of the city’s diversity and rich, growing culture. As Imin Yeh, assistant director, states, “The space becomes this beautiful analogy for the architectural, political and critical history of San Francisco, and the home is a container for Meridian Center for the Arts’ numerous contributions and relationship to San Francisco’s Past and Future.” But the Financial District is not necessarily known for its alternative art spaces. With its beautiful hardwood floors and three levels of visual arts, Meridian remains one the most unique art spaces in the city. From its location to its architecture, it proves itself as a perfect place for cultivating ideas and serves as fertile ground for artists.

Meridian is widely known for helping break down racial and cultural barriers by showcasing artists with the same goal, in both their works and their art practices. From poetry readings to performing arts, many of the artists work with San Francisco youth to help bridge gaps and bring awareness through the arts. The Meridian Interns Program (MIP) assists high school students in learning more about the business of art, the community and art’s relationship to culture. Yeh reflects on the program’s objective: “It provides San Francisco low-income teens a safe space to work after school that combines real-world arts and administrative job skills with studio practice led by amazing teachers who are also working artists. Participating youths are often faced with complex challenges, including the need to provide financial support for their families. With MIP, they are not only getting the space to engage in artistic projects and job skills, but getting paid wages for their participation.” The program facilitates disciplined practice for students interested in pursuing a career in the arts as well as practical skills for those wanting to learn more about the administrative and curatorial side of running a gallery. MIP enables students to foster a sense of responsibility and to learn valuable business skills.

Although Meridian Gallery was established in the 1980s, the physical space seems to have been made especially for this gallery and community. In looking back, it’s also important to ponder the future, and between the wide array of diverse artists, scholars, curators, volunteers and students, Meridian will certainly see another 100 years in San Francisco.

Upcoming exhibitions include The Painted Word: Paintings, Drawings and Collages by Poets From the Beat Generation Era. To learn more about this exhibition, please visit meridiangallery.org.

On June 16, Zina Al-Shukri and Maja Ruznic will be on exhibition in To Draw, to Transpose.

Originally posted to Asterisk SF Magazine. Please view here.

Photos of SOMArts Cultural Center Event, Night Light: Multi-Media Garden Party

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I went to the Night Light: Multi-Media Garden Party at the SOMArts Cultural Center. It was great seeing friends and meeting some wonderful artists. Below, you’ll find some footage I shot of Radka Pulliam‘s piece, Up and Down the Street. It’s quite clever in that the viewer must “look in” the building to “look out” at the street view. The placement was spot on since it was in a relatively inconspicuous place towards the front of the entrance. I noticed people stopped when they noticed someone looking down and ponder the location of the projection.

One of the memorable performances of the evening was the Spanish Contemporary dance routine of Elias Aguirre and Alvaro Esteban. They are amazing. The isolations and articulation of their bodies is best seen in person. If you were at Night Light, you would know exactly what I’m talking about. Fortunately, there is a video of this phenomenal Spanish Contemporary Dance duo.

Augmented Reality Workshop and Public Talk with John Craig Freeman

John Craig Freeman

Upgrade! San Francisco is proud to present two events with Boston-based media artist and activist John Craig Freeman at SOMArts Cultural Center, 934 Brannan St. San Francisco

2-day Workshop: “Making Art with Augmented Reality” – Register HERE

Saturday March 31st & Sunday April 1st, 11am–5pm both days

Learn how to place digital 3D objects in real physical space (virtually) forever. Augments can be created in any scale for any location in the world and viewed through the camera and screen of mobile devices. This workshop provides a hands-on and in-depth introduction to AR for participants to make giant artworks, public interventions and personal or historical memorials. This is a beginner to advanced workshop. No previous programming or design experience is required. All participants in John’s workshop will have their finished digital augment and a 17″ x 22″ color print automatically added to the current SOMArts exhibition “I Am Crime: Art On the Edge of Law“.

Free Public Talk: “Emergent Technology as Art Practice and Public Art as Intervention”
Thursday, March 29th, 7-7:30PM meet and greet; 7:30-8:30PM lecture + questions

John Craig Freeman is a public artist with over twenty years of experience using emergent technologies to produce large-scale public works at sites where the forces of globalization are impacting the lives of individuals in local communities. John is currently an Associate Professor of New Media, at Emerson College (Boston) in the Department of Visual and Media Arts and a Visiting Scholar at the Center for Research in Computing and the Arts, at UC San Diego.

Live Blog @ Wire + Nail Gallery for People I’ve Loved Opening

When I’m not thinking about the afterlife, I’m thinking about love. This is true. Currently live blogging at Wire + Nail Gallery for Carissa Potter’s opening, People I’ve Loved. One of my favorite artists.

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